Camden Opera House
Saturday, December 30, 1995
The Rhythm of Life Band
The Arthur Hall Afro-American Dance Ensemble
The Arthur Hall International Dance Company
& special guest singers, dancers, & musicians
Celebrating the Life & Spirit of Adam Perry Smith
(1965 - 1995)
A production of
Ile Ife Films
a nonprofit arts organization
The Rhythm of Life Concert
Arthur Hall ~ artistic director
Glen DuBose & Jeffrey Densmore ~ music directors
Bruce Williams ~ producer
Patrice Janssen ~ treasurer
Don Isikoff ~ concert manager
Bernice Berger ~ business manager
Ann Marie Almeida ~ ticket chairman, box office manager
Pat Renn ~ intermission chairman
Nancy Meader ~ concessions
Jim Williams ~ stage manager
~ technical assistance ~
Joseph Klapatch of the Camden Civic Theatre
Marcia Lovell, Ilona Mattson, Amanda
~ cameras ~
Abbott Meader, Bruce Williams, Gregory Hudson, Douglas Velasco,
Taylor Ongaro
~ ushers ~
Boo Hubbard, Leslie & Carl Leavitt, Karen & Glen Musella
Amie &
Lindsay Eaton, Bernice Berger, Jamie Griffin
Robert Bruce Matthai &
Evan Dawson Hunt
Darren, Gary, Debi Irons' husband &
anonymous
pen & ink drawings of Obatala by Alan Crichton
graphic design by Amy Fischer
~ patrons ~
Alexandra Fogel, Barbara & Edward Keenan, Douglas, Hammy, Hilery
& Dougie Hall
Green Keefe Real Estate, Jim Mays & Nancy Lubin,
Manann, Perkins Foss
Barbara, Les, Elissa & Sarah Swift, Monika
& Alen Magee
James & Mary Ellen Kelly, Gregory Hudson, Dean
Buckley & Gail Gulick
Nancy Lukins, anonymous
~ supporting organizations ~
The Maine Arts Commission
Camden River House Hotel, Zaddick's Pizza, Once a Tree
L. E.
Leonard, 90 Main Cafe, The Maine Photographic Workshops
Camden
National Bank, Rockport Blueprint, Amy Fischer Design
Harbor
Square Gallery, The Capt. Lindsey House Inn & The Waterworks Pub
& Restaurant
The Lord Camden Inn, New
Hampshire Council on the Arts
The Greater Philadelphia Urban
Affairs Coalition
the Community Development office of CoreStates
Bank
The Studio at Saturday Cove, the Sea Dog Brewing
Company
Cuddledown of Maine
~ dancers ~
Monzella Allen, Meg Barclay, Dean Buckley, Cathy Butler-Corish
Erma Colvin, Dagney Ernest, Anya Freiman, Sonja Ganguin,
Katherine Gifford
Ricardo Guillermo, Gail Gulick, Arthur Hall,
Samuel Hall, William Hall, Megan Hamill
Debi Irons, Patrice
Janssen, John Jenkins, Rita Cottman Johnson, Bridget Kelly
Lisa
Morgan, Gina Peabody, Diana Sorus, Tony Spotton, Martine
Toulouse
Xania Tuton, Van Williams
~ musicians ~
Instrumental Prelude
Overture
Angel Friend & If it Weren't for Love
Fanga
Sierra Leone
Ode to Yemanya
Akom & Adowa
Celebration
Yanvallu
Requiem for Adam
~ intermission ~
Drum Processional
Places to Go & The Road Home
Dance Sister Dance
Afro Blue
Tribute to Shango
Obatala & Shango
The Pearl
Moon Dance
Carnival
~ exeunt ~
Ile Ife Philadelphia Maine Concerts
Annegret Baier, C. Quay Blount, Bruce Boege, Jonathan Boulware,
James Corry
Al Crichton, Jeffrey Densmore, Glen DuBose, Dave
Grisaru, Willy Kelly
Greg McGowan, Rachel & John Nicholas, Carol
Stone, Kevin Teel, Michael Wingfield
~ the Rhythm of Life program ~
Kevin Teel, acoustic guitar
Composed by Willy Kelly
~ The Rhythm of Life Band ~
Music & lyrics by Rachel & John Nicholas
(1959) Choreography ~ Arthur Hall
Liberian from the original of Pearl Primus
A dance of welcome for the New Year, newborn babies
returning
soldiers, and strangers
From our hearts with open hands and no arms (weapons)
We welcome you, whether you are from the North, South, East, or
West
Xania Tuton ~ solo
(1972) Choreography ~ Arthur Hall
from the original of the National Dance Company of Sierra Leone
The community dons their finest clothing to welcome strangers and
visitors
~ Arthur Hall International Dance Company ~
(1975) Choreography ~ Arthur Hall
from the original of Chief Hawthorne Bey
Yemanya is the goddess of the Ogun River in Nigeria.
Slaves
arriving in the New World gave thanks to her for surviving the
Middle Passage,
making her the goddess of the Oceans as well. Her
husband is Olokun,
lord of the undertow
Music ~ traditional Afro-Cuban
~ Arthur Hall Afro-American Dance Ensemble ~
Ghana ~ choreography by Arthur Hall
Akom (1953) from the Ga culture of Ghana
as taught by Saka Acquaye
We are proud to be who we are
& turn our backs on those
who would try to change us"
~ International Dance Company ~
Adowa (1974) from the Ashanti as learned
during the first African tour
of Ghana by
the Afro-American Dance Ensemble
a classical Ashanti commemorative dance
for those who died in defense of their country
"The dancing mayor of Lewiston" John Jenkins ~ solo
(1972-73) choreography ~ Arthur Hall
from the original by les Ballets Africains of Guinea
learned during their visit to Ile Ife in Philadelphia
Traditionally done by young women graduating from bush school,
the dance shows the strength and beauty of young women ready for
marriage,
having learned the traditional community values
~ Restaged by Erma Colvin & performed by her African class ~
Haiti (1973) choreography ~ Arthur Hall
from the sacred original as taught by Lavinia Williams,
a Katherine Dunham Dance Company member.
An ancient dance drawn from the slave coast
& documented in Haiti as early as 1619.
I particularly loved to dance the various congos,
but it was while dipping and swaying, knees close-pressed,
back undulating in the yonvalou as seen in Dahomey today
in obeisance to Damballa the serpent ...
Katherine Dunham
quoted in Black Dance, p. 55
Rita Cottman Johnson ~ solo
Xania Tuton ~ acolyte
Choreography ~ Arthur Hall
premiere
Annegret Baier ~ djimbe
Arthur Hall ~ talking drum
Dave Grisaru ~ cello
Music & lyrics ~ Blessed Mother by C. Quay Blount ~ piano
~ the company ~
Music & lyrics by Rachel & John Nicholas
Choreography ~ Debi Irons
Music & lyrics by Glen DuBose
dance impovisation
Carol Stone, vocals
Cuba (1979) choreography ~ Arthur Hall
Based on the Afro-Cuban Santeria, where Shango (an historical
Yoruba king)
is recognized as the god of lightning, thunder,
drums, dancing, and yams
~ the Afro-American Dance Ensemble ~
Choreography ~ Arthur Hall
premiere
The Creative travels to the Arousing Thunder.
Obatala, the calm & passive, whose color is pure white,
travels
to visit his best friend Shango, the active & passionate,
whose
colors are red & white, "to see the fire in Shango's eyes."
Arthur Hall ~ Obatala
Cathy Butler-Corish ~ Shango
Shango (1987) is drawn from Arthur Hall's choreography for Oba Koso
Choreography ~ Erma Colvin
A personal 'thank you' for the inspiration of Adam's drum.
Music by the Samite of Uganda
Erma Colvin ~ solo
dance improvisation by Debi Irons ~ solo
Music & lyrics by Van Morrison
Carol Stone ~ vocals
Choreography ~ Arthur Hall
In the spirit of Lavinia Williams, high life, low life,
& parodies of courtly European postures, celebrating
individuals in community, Congo Square Saturday night.
~ the company ~
Return to Ile Ife