Outline
Chronology


April 18, 1934 ~ AH born Memphis TN

1950 ~ Arthur Hall debut in chorus of The Ordering of Moses


The National Negro Opera Company
performing [ composer] Robert Nathaniel Dett's The Ordering of Moses
at Griffith Stadium, Washington, D.C., July 28, 1950.
Mary Caldwell Dawson, director
Ann Francis Garnet of Chicago, choreographer [ref: "Sledgehammer Sociology"]
(National Negro Opera Company Collection of the Library of Congress)
1951 ~ AH to Phila

1952-1953 ~ Saka Acquaye's Black Beats Band

1953 - West African Cultural Society of Saka Acquaye

1954-1959 ~ Saka Acquaye's African Ensemble in America

1955 - 1958 ~ AH in US Army, Special Services, Germany

1958 ~ Pioneers Martha Graham, Alvin Ailey, Eleo Pomare, and Arthur Hall establish their companies. Arthur encouraged to investigate African heritage through dance by his mentor Joan Kerr [Joan Kerr Dancers], an angry woman noted for her foul mouth and powerful modern choreography rooted in the Yiddish tradition. Arthur's first concert presented by Joan Kerr at the Phila YWHA at Broad & Pine. Arthur Hall Afro-American Dance Ensemble began as Sidney King Dancers, then AADE, then AHAADE. Still known as Sydney King Dancers "under the direction of Arthur Hall" as late as 1962 [per Elizabeth Roberts poster]. Repertory generally presented as African Sketches at least into 1970. 16 mm film of this period may exist, specifically 1958 to 1960 Phila broadcast of Adam & Eve.

See Materials Sought

Chronological Overview


International tours

Additional materials sought

Collection Directory | Directory of Logs | Collection Index

Return to ILE IFE